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. Documentary. Info - In Mexico City's wealthiest neighborhoods, the Ochoa family runs a for-profit ambulance, competing with other unlicensed EMTs for patients in need of urgent care. In this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care. Writer - Luke Lorentzen. casts - Juan Ochoa, Fer Ochoa. Duration - 81m.
And the academy's bias against horror movies disappointing. I understand that this movie is not mainstream enough for the Oscars, but the fact that Dafoe and Pattinson were so obviously snubbed is ridiculous.
Say what you will about modern horror but there are some innovative films coming out amongst the trash. First a nearly silent film with A Quiet Place and now a modern black and white film. Those are some risky choices to make when you could just turn a profit with some generic crap.

Synopsis Jack Walsh is a previous abundance tracker now. Johathan ‘The Duke’ Mardukas is a touchy bookkeeper who cheated the mafia and stole it for 15 million dollars and gave it to philanthropies. In the interim, Jack is offered $ 100, 000 in return for carrying Duke from New York to Los Angeles, right and on schedule. It seems like one of the typical prize prey preys, yet nothing at any point occurred. likewise doesn’t create true to form. The FBI is after Duke to affirm, the mafia is for retribution, and there is a Wlash, obviously, to quietness him after the Duke. The way that just one of them can’t perform his responsibility implies the passing of the couple. Original title Midnight Run IMDb Rating 7. 5 68, 011 votes TMDb Rating 7. 2 470 votes Director Cast. John Lithgow. All you need to know. Acting genius.

 

Well. the trailer showed the whole film, it was predictable and too long.

When you first came to us, we thought that people would come and take you away because if they found out about the things you could do, well that worried us a lot. But then a man gets older and he thinks very differently better, starts to see things very clear. And there's one thing I do know, son. And that is, you are here for a reason. I don't know whose reason it is, or whatever the reason. maybe it's. I don't know. but I do know one thing: it's not to score touchdowns. Glenn Ford (Jonathan Kent) Superman (1978. 81' 2019 USA, Mexico director: Luke Lorentzen cinematography: Luke Lorentzen editing: Luke Lorentzen production: Hedgehog Films Riding in an ambulance in Mexico’s capital There are only 45 state-owned ambulances on the streets of Mexico City, a metropolis of 9 million people. In this shocking documentary, Luke Lorentzen leaves no illusions about the fact that without private ambulances operating in a legal gray area, the healthcare system would be in ruins. From the cramped interior of the cab, the director tracks the tragicomic fate of the crew of a private, family-owned ambulance and the ethical dilemmas that its members face during a series of midnight rescue operations. Scenes showing insane driving with the sirens blaring, bribes, and scuffles with the police are dramatically interwoven with the stifling nighttime reality of life in Mexico. The documentary power of Lorentzen’s film stems from, among other things, the brilliant cinematography, which was recognized with an award at the Sundance Festival.

Héloise looks like a mix of Saiorse Ronan and Billie Eilish. After seeing the movie, let me just say this trailer is amazing. Today the disasters beat the masters. Everyone: Where's Mushu? Me: Gonna get me that McNugget sauce. I'm early! Posted 8 mins ago. He's one of the most underrated actors of my time. He can do comedy, sad, serious, be the villain or the hero. Quentin Tarantino should put him in a movie.

 

Recuerdo que antes pensar en documental nos remitía a un vídeo aburrido que veíamos en clase, hoy en México llega a tener un papel fundamental porque si integra lo que el cine no ha podido, son atractivos te mantienen muchos de ellos al filo, mueven emociones, cosa que pocas veces es bien logrado en largometrajes de ficción. Ambulante ha sido un parte-aguas para difundir estos excelentes documentales y que puedan llegar a salas. Este año me lo perdí, así que toca rescatar y apoyar en su semana de estreno a estos proyectos. Además este genero es interesante, mi esposo vio el de Metinides, el hombre que vio demasiado (aludiendo a Hitchcock) en ambulante y luego me llevó a verlo en sala comercial, el pensar en la noche y estos accidentes es algo interesante (muy morboso) que me gusta ver.

I think this movie will be a watershed moment for Asians in Hollywood especially since the biggest movie studio in the world is behind it. I was hoping for an old person who could tap other old people on the shoulder and see them die tomorrow. I died when he did the salute thing “Good morning penis” 😂😂. This statement is false. But then that would make it true. I would have loved to watch this. but forgive me. something about how Blythe Danner moves her lips really bothers me. Star Wars: “They fly now! ” A Quiet Place: “They Drive now! ”.

For screenings and tickets Directed by Luke Lorentzen Produced by Kellen Quinn and Luke Lorentzen Producers: Elena Fortes and Daniela Alatorre Contact: krquinn[at] luke. lorentzen[at] Publicity: Jenna Martin, jmartin[at] Sales: Autlook, Salma Abdalla, salma[at] AWARDS: Special Jury Award for Cinematography, Sundance Best Film, Guadalajara International Film Festival Best Director, Guadalajara International Film Festival Premio Guerrero de la Prensa, Red de Prensa Mexicana Special Jury Mention, F:act Award, CPH:DOX Best Documentary, Hong Kong International Film Festival Cine Latino Documentary Audience Award, MSPIFF Grand Prix, Kaliningrad Film Festival Special Jury Mention, Calgary Underground Film Festival Special Jury Prize for Cinematography, Montclair Film Festival Audience Award, Cine Las Americas TRT International Documentary Awards, Turkey, Third Place Bravery Award, Mammoth Lakes Film Festival Grand Jury Award, Sheffield Doc/Fest Top Prize, Underhill Fest, Montenegro Grand Jury Prize, Gimli Film Festival Best Mexican Documentary, Guanajuato Film Festival Best Documentary, Spirit of Freedom, Jerusalem Film Festival Best Mexican Documentary, DOQUMENTA, Queretaro Special Jury Mention, Monterrey International Film Festival Grand Prix, Message to Man Film Festival, Saint Petersburg Russian Press Prize, Message to Man Film Festival IFFS Prize, Message to Man Film Festival Special Jury Mention, Zurich Film Festival Best Documentary, Bergen International Film Festival IDA Documentary Awards, Winner, Best Editing IDA Documentary Awards, Nominee, Best Feature IDA Documentary Awards, Nominee, Best Cinematography Cinema Eye Honors, Best Film Nominee Cinema Eye Honors, Best Cinematography Nominee Cinema Eye Honors, Best Production Nominee Cinema Eye Honors, Unforgettables, Juan Ochoa, Nominee Golden Frog for Best Documentary, EnergaCAMERIMAGE Best Documentary, Films from the South, Oslo Maysles Brothers Award, Special Jury Mention, Denver Film Festival FIPRESCI Rellumes Award for Best Director, Gijón Film Festival Best Film, WatchDocs International Film Festival, Warsaw SELECTED PRESS: "Outstanding... Fantastically shot by the director Luke Lorentzen, the documentary develops an urgency that suits the life-or-death stakes onscreen. By turns terrifying and exhilarating, “Midnight Family” unfolds with such velocity that it may take a while for your ethical doubts to catch up to what’s happening. When they do, they leave you gasping. " – Manohla Dargis, New York Times Critics' Pick “Arguably the most exhilarating documentary to come out of Sundance this year, Midnight Family follows the Ochoa family—the gruff but compassionate Fer and his two underage sons, Juan and Josué—at intensely close range on these Sisyphean missions of mercy. “ – Museum of Modern Art and Film Society of Lincoln Center Included in the “10 Best Movies of Sundance 2019" "A deft mix of big-picture doc-making and intimate moments... not to mention a wild—and remarkably eye-opening—ride. ” – David Fear, Rolling Stone “This 81-minute masterpiece will change the way you look at documentaries forever; its style reads like an action movie, its themes like a socio-political drama, and, yet, it still is very much a work of non-fiction, with a camera always exactly positioned to capture a society on the brink of moral collapse. " – Jordan Ruimy, The Playlist “Profound and thrilling cinema verite filmmaking. The film is impeccably crafted by Luke Lorentzen… What matters most here is Lorentzen’s intuition—he knows during many stunning moments just where to put the camera in such close quarters, letting us observe as harrowing drama and cinematic poetry unfolds… 'Midnight Family' is extremely visceral in the best way. ” – Nick Allen, Roger Included in “21 Must-See Movies” at Sundance "An intimate verite documentary... the Ochoas emerge as fascinating embodiments of a country working overtime to correct its shortcomings and keep the lights on. This bracing U. S. competition documentary is poised to provide a personal window into the fast-paced mayhem of Mexico after dark. " – Eric Kohn, Indiewire FESTIVAL SCREENINGS: Sundance Film Festival, Park City, January 2019 Cartagena International Film Festival, March 2019 Guadalajara International Film Festival, March 2019 Ambulante Mexico, March-May 2019 CPH:DOX, Copenhagen, March 2019 Hong Kong International Film Festival, March 2019 Lost Weekend, Winchester, VA, March 2019 New Directors/New Films, MoMA, Lincoln Center, March 2019 DocVille Belgium, Brussels, March 2019 Houston Latino Film Festival, March 2019 Full Frame Documentary Film Festival, Durham, April 2019 Minneapolis International Film Festival, April 2019 Sarasota Film Festival, April 2019 ACT Human Rights Festival, Fort Collins, April 2019 San Francisco International Film Festival, April 2019 Night Visions, Helsinki, April 2019 Freep Film Festival, Detroit, April 2019 Dallas Film Festival, April 2019 DOC10, Chicago, April 2019 International Film Festival of Uruguay, April 2019 HotDocs, Toronto, April 2019 Calgary Underground Film Festival, April 2019 IFF Boston, April 2019 Riverside Saginaw Film Festival, Michigan, April 2019 TRT Documentary Days, Istanbul, April 2019 Kaliningrad Film Festival, April 2019 Cine Las Americas, Austin, May 2019 Montclair Film Festival, New Jersey, May 2019 EDOC, Quito, May 2019 Seattle Film Festival, May 2019 Mammoth Lakes Film Festival, May 2019 Krakow Film Festival, June 2019 Greenwich Film Festival, June 2019 Transylvania International Film Festival, June 2019 Sydney Film Festival, June 2019 Nantucket Film Festival, June 2019 Sheffield Doc/Fest, United Kingdom, June 2019 Curitiba International Film Festival, June 2019 Underhill Fest, Podgorica, Montenegro, June 2019 AFI DOCS, Washington, D. C., June 2019 Biografilm, Bologna, June 2019 Shanghai Film Festival, June 2019 Rooftop Films, New York City, June 2019 LA Latino Film Festival, July 2019 Semana de Cine Contemporáneo, Aguascalientes, July 2019 Taormina Film Festival, July 2019 Taipei Film Festival, July 2019 Maine Film Festival, July 2019 Durban International Film Festival, July 2019 New Zealand International Film Festival, July 2019 Guanajuato International Film Festival, July 2019 Gimli Film Fest, July 2019 Jerusalem Film Festival, July 2019 Traverse City, July 2019 Lima Film Festival, August 2019 Sakhalin on the Edge, August 2019 Stronger than Fiction, Canberra, August 2019 Melbourne International Film Festival, August 2019 DokuFest, Kosovo, August 2019 Lighthouse International, New Jersey, August 2019 Monterrey International Film Festival, August 2019 Martha's Vineyard International Film Festival, August 2019 Camden International Film Festival, September 2019 AFI Latin American Film Festival, September 2019 Message to the Man, St. Petersburg, September 2019 Festival de Cine México, Alemania CineMA, September 2019 Athens International Film Festival, September 2019 El Gouna International Film Festival, Egypt, September 2019 Helsinki International Film Festival, September 2019 IDFF Flahertiana, September 2019 Festival de Cine en el Desierto en Sonora, September 2019 Zurich Film Festival, September 2019 Vancouver International Film Festival, September 2019 Bergen International Film Festival, September 2019 Cineuropea, Santiago de Compostela, September 2019 Foro de Cineastas, Tamaulipas, September 2019 Black Canvas, Mexico City, October 2019 Brisbane International Film Festival, October 2019 Viva Mexico, Paris, October 2019 Film Fest Tuscon, October 2019 Peoria Film Festival, October 2019 FilmFest Cologne, October 2019 Hamptons International Film Festival, October 2019 Central Scotland Documentary Festival, October 2019 Lateinamerikanische Filmtage, Germany, October 2019 Tallgrass Film Festival, October 2019 Morelia Film Festival, October 2019 Latin American Doc Showcase, Puerto Rico, October 2019 True/False Community Screening, Colombia, October 2019 Vino Verite, Iowa City, October 2019 Hot Springs Documentary Film Festival, October 2019 Rockaway Film Festival, October 2019 Jio Mami, Mumbai, October 2019 Ânûû-rû Âboro Festival, New Caledonia, October 2019 Inconvenient Films, Lithuania, October 2019 Doctober, Pickford Film Center, Bellingham, October 2019 Teatteri Unio, Finland, October 2019 Unorthadocs, Wexner Arts Center, Colombus, October 2019 Cork Film Festival, Ireland, October 2019 Virginia Film Festival, October 2019 Viennale, Vienna, October 2019 Denver Film Festival, October 2019 Windsor Film Festival, October 2019 Stockholm International Film Festival, November 2019 Brattleboro Film Festival, November 2019 Movies from the South, Oslo, November 2019 DOC NYC, November 2019 Camerimage, Poland, November 2019 KCRW - The Document, Los Angeles, November 2019 Gijon Film Festival, Spain, November 2019 RIDM, Montreal, November 2019 IDFA, Amsterdam, November 2019 Festival Margenes, Spain, November 2019 Sevastopol Film Festival, Crimea, November 2019 Guangzhou Documentary Film Festival, November 2019 This Human World, Vienna, December 2019 Watch Docs, Poland, December 2019 Havana Film Festival, Cuba, December 2019 Festival del Puerto, Oaxaca, December 2019 William and Mary Global Film Festival, January 2020 Budapest International Documentary Festival, January 2020 Americana Film Festival, Barcelona, March 2020.

No? This is not up for best foreign film ? Make it be! Or hell even best picture! I loved Parasite but I welcome a challenge and as an artist I am intrigued... Wow I think this is the first time u have done an all vegan vid … Except for the time u were drinking those juices … I think. Wonderful. Who is she. I had never heard her before.I am completely fascineted by her, like I am by Gladys. I don't care what the the money hungry cretins at the oscars say, or the self-proclaimed expert critics. Uncut Gems was an amazing movie, and probably one of Sandler's best roles in years. Not only that, he wasn't even playing a comedy. This man deserves recognition. Not only is he a very talented actor, he's actually a really nice individual off the camera, unlike a lot of snobby Hollywood today. Highly recommend this film.

Damn that music brings chills while watching the trailer. Cant wait. Que tal fernanda donde puedo conseguir ese documental y mas ya que no los encuentro a la venta ni nada.

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About The Author - Mike Cunningham

93minutes resume: Even for those who know little about dance, Merce Cunningham is a recognizable name - an iconic figure in his field. His mid-20th century collaborations with composer John Cage (his lifelong partner) and visual artist Robert Rauschenberg were central to an era of transformation. Cunningham resisted "avant-garde" or any other label. "I don't describe it. I do it," he once said. Now, with Cunningham, we have a chance to experience what he did. Filmmaker Alla Kovgan assembles the last generation of Cunningham dancers (led by Merce Cunningham Dance Company assistant director of choreography Jennifer Goggans) to present landmark works from the Cunningham repertoire. The film concentrates on the three decades from 1942 to 1972 when Cunningham was making his reputation. Gorgeously shot in 3D, Cunningham brings us closer to these works than any audience has ever been before. Taking an inventive approach with locations, the film places dancers in evocative backdrops such as a tunnel, a high-rise rooftop, and a forest. These current-day performances are interlaced with archival footage of Cunningham speaking and moving. We also hear illuminating interviews with Cage, Rauschenberg, and members of the original Merce Cunningham Dance Company, who endured years of rejection and outrage before they slowly won over audiences. "I never believed that idea that dancing was the greatest of the arts," said Cunningham. "But when it clicks, there's the rub. It becomes memorable. And one can be seduced all over again." Whether you come to Cunningham as a neophyte or an aficionado, you'll leave with a rich experience of his art Tomatometers: 6,6 of 10 Star France Release Year: 2019.

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• Great to see a film about dancing! A relatively unexplored sub-genre of documentary, and Cunningham was welcome for this alone. It adds to a hole that I suppose Wenders' Pina opened.

 

• On that note, this film should not have been shot in 3d, which added nothing but nausia. We expect the 3d was entirely for the purpose of (a) copying Pina and, relatedly, b) getting funding. But Cunningham's dances are far less spectacular and their presentation here likewise. The 3d only distracts from the movement in all but one Warhol-involved set, especially when edited with 2d archival.

 

• First half entertaining, second boring. The film progresses at a monotonous pace: one thing happens and then another and then another. No real conflict or tension.

Which is a problem. Because there evidently was plenty of this, but only in reality. The movie, on the other hand, brushes past unconvincingly. No one in the film is given space apart from Cunningham - everyone else speaks to convince the audience how great he is. I wanted to hear from one of his female dancers honestly, in long form, of the darkness of Cunningham. This would help to flesh out his character, give us something to chew on, and organise the film into a narrative. As is, we grew progressively distrusting and disengaged with the Greatest Hits/ Victory Lap tone, before the film ends suddenly with the news that all his dancers left.

• Ultimately we were left unconvinced that Cunningham (the dancer) was all that interesting. Fashionable certainly, he's attached to the right people, and I'm sure it would be great to be dancing as him, but the just-over-half-full prime-time-at-the-festival cinema was an endless circuit of yawns.

 

• Nevertheless we feel cultured now.

 

Movie online cunningham tn. A remarkable achievement by filmmaker Alla Kovgan, spending seven years to make this classic tribute to the late dancer/choreographer Merce Cunningham.
Working with both archive footage and valuable sound recordings, she conjures up the avant-garde artist through recordings of his work, his philosophy of his art and comments by many close collaborators including notably John Cage and Robert Rauschenberg. Not meant as a biopic, film concentrates on spectacularlhy cinematic (in 3-D) new performances of many of his dances, executed by members of his company, which disbanded in 2011, after Merce's death in 2009.
At a q&a following the screening, Kovgan indicated that Wim Wenders' innovative 2011 3-D dance film about German choreographer Pina Bausch inspired her to take on this formidable project, finally starting shooting in Stuttgart in 2015 with principal photography taking place in 2018.
Her use of 3-D technique is outstanding, resulting in gripping visual images, enhanced by the accompaniment of the original dance scores by John Cage and others. For a novice like me, not overly familiar with Merce's achievements, the movie brings his dance to life and points to how 3-D technology can be used artfully rather than as a gimmick, or its current excuse to permit higher price points for movie admissions to films, both animated and action-oriented, that should play just as well if not better in 2-D on large screens.

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This song touch my soul its so passionate what song Adrian continue doing the work of our God touching changing person life.

 

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